Wiccan Chant Introduction

Here are some tips for employing chants in your circles:

The traditional lucky find sings and more recently composed those which you can employ. The stores metaphysics often have a section of the pagan music, song and sing.

If you visit greater pagan festivals, you can be taught that part of traditional sings if you do not know them and cannot find a recording. Many passed length by the oral tradition of the pagan gatherings. To take the notes and to thus note the lyric one you will not forget.

To employ the simple melodies with a vocal range limited thus everyone can sing them without tightening their voices.

To try to place pagan poetry at the familiar melodies, such as well-known songs of holidays. Sometimes they resound idiots, but they can be a great manner of concentrating everyone on a melody which they know already sung with various words.

Simple beats and rates/rhythms of use to maintain the group focused - or to use a drum to help to induce a changed state. The beats which fall on even figures (based on groups of two or four beats) are more direct and dynamic. Some consider them more male. Beats based in 3, the familiar model of waltz, are considered more female and have a connection with the triple goddess.

To feel the music as you carry out it. To leave the sufficiency of vibration your body, heart, and spirit. To let move you. When you are open of noise, you can make the experiment very curative or activating.

Not to be afraid to be strong or to make an error. To sing with feeling and to worry about technicalities later. If each one is in the song, it is more important than resounding perfect. Not to create with no matter whom bad a sensation if they do not have a perfect voice. To remember that the circle is about the perfect love, of perfect confidence, and the celebration. To maintain the spirit living when you sing and when you pass the cakes. Each one is an occasion for the love, the compassion, and the transformation.